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The personal is political
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The personal is political : ウィキペディア英語版
The personal is political
''The personal is political'', also termed ''The private is political'', is a political argument used as a rallying slogan of student movement and second-wave feminism from the late 1960s. It underscored the connections between personal experience and larger social and political structures. In the context of the feminist movement of the 1960s and 1970s, it was a challenge to the nuclear family and family values.〔Angela Harutyunyan, Kathrin Hörschelmann, Malcolm Miles (2009) ''Public Spheres After Socialism'' (pp.50-1 )〕 The phrase has been repeatedly described as a defining characterization of second-wave feminism, radical feminism, Women's Studies, or feminism in general.〔"The great trust of radical feminist writing has been directed to the documentation of the slogan 'the personal is political.'" 〕〔"At the heart of Women's Studies and framing the perspective from which it proceeds was the critical insight that 'the personal is political.'" 〕 It differentiated the second-wave feminism of the 1960s and 1970s from the early feminism of the 1920s, which was concerned with achieving the right to vote for women.
The phrase was popularized by the publication of a 1969 essay by feminist Carol Hanisch under the title "The Personal is Political" in 1970, but she disavows authorship of the phrase. According to Kerry Burch, Shulamith Firestone, Robin Morgan, and other feminists given credit for originating the phrase have also declined authorship. "Instead," Burch writes, "they cite millions of women in public and private conversations as the phrase's collective authors." Gloria Steinem has likened claiming authorship of the phrase to claiming authorship of "World War II,"〔 although the invention of the phrase "World War II" can in fact be traced to a ''Time'' editorial published in September 1939.〔(【引用サイトリンク】url=http://content.time.com/time/magazine/article/0,9171,711760,00.html )
The phrase figured in women-of-color feminism, such as "A Black Feminist Statement" by the Combahee River Collective, Audre Lorde's essay "The Master's Tools Will Never Dismantle the Master's House," and the anthology ''This Bridge Called Home''. More broadly, as Kimberlé Williams Crenshaw observes, "This process of recognizing as social and systemic what was formerly perceived as isolated and individual has also characterized the identity politics of African Americans, other people of color, and gays and lesbians, among others."
==The Carol Hanisch essay==

Carol Hanisch, a member of New York Radical Women and a prominent figure in the Women's Liberation Movement, drafted an article defending the political importance of consciousness-raising groups in February 1969 in Gainesville, Florida. Originally addressed to the women's caucus of the Southern Conference Educational Fund, the paper was first given the title, "Some Thoughts in Response to Dottie ()’s Thoughts on a Women’s Liberation Movement." Hanisch was then a New York City-based staffer of the Fund and was advocating for it to engage in dedicated organizing for women's liberation in the American South.〔 Hanisch sought to rebut the idea that sex, appearance, abortion, childcare, and the division of household labor were merely personal issues without political importance. To confront these and other issues, she urged women to overcome self-blame, discuss their situations amongst each other, and organize collectively against male domination of society.〔 Hanisch does not use the phrase "the personal is political" in the essay, but writes:
:One of the first things we discover in these groups is that personal problems are political problems. There are no personal solutions at this time. There is only collective action for a collective solution.〔
The essay was published under the title, "The Personal Is Political," in ''Notes from the Second Year: Women’s Liberation'' in 1970. The essay's author believes that Shulamith Firestone and Anne Koedt, the book's editors, gave the essay its famous title.〔 It has since been reprinted in ''Radical Feminism: A Documentary Reader''.

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